Ovo Lounge Chair
Renata Brennand ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Best Design Brazil ᱵᱨᱟᱡᱤᱞ ᱨᱮᱭᱟᱜ ᱱᱤᱛᱚᱜᱟᱜ ᱠᱟᱹᱞᱟᱹ, ᱵᱷᱟᱹᱞ ᱱᱚᱠᱥᱟ ᱟᱨ ᱢᱟᱨᱟᱝ ᱥᱛᱷᱟᱯᱚᱛᱭᱚ ᱩᱫᱩᱜᱟ. ᱵᱨᱟᱡᱤᱞ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱟ ᱱᱚᱠᱥᱟ ᱟᱨ ᱱᱚᱶᱟ ᱥᱮᱨᱟ ᱠᱟᱹᱢᱤ ᱛᱮᱭᱟᱨᱤᱡ ᱦᱟᱦᱟᱲᱟᱜ ᱱᱚᱠᱥᱟᱠᱟᱨ, ᱠᱟᱹᱞᱟᱹᱠᱟᱨ, ᱟᱨ ᱥᱛᱷᱟᱯᱚᱛᱤ ᱠᱚ ᱯᱟᱱᱛᱮ ᱯᱮ.
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱴᱮᱜᱽ ᱧᱮᱞ ᱢᱮ. ᱥᱮᱨᱟ ᱵᱨᱟᱡᱤᱞᱤᱭᱟᱱ ᱱᱚᱠᱥᱟᱠᱟᱨ ᱟᱨ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱛᱷᱚᱠ ᱨᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱡᱤᱛᱟᱹᱣ ᱛᱮᱭᱟᱨ ᱡᱤᱱᱤᱥ, ᱯᱨᱚᱠᱚᱞᱯᱚ ᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ.
Renata Brennand ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Katty Kaitazoff ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Katty Kaitazoff ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Marcos Bravo ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Marcio Sassine ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Luciana Duque ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Katty Kaitazoff ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Romulo Teixeira and Cintia Miyahira ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
André Gurgel + Felipe Bezerra ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2013 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Felipe Bezerra + André Gurgel ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2013 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Luciano Santelli ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Andrea Macruz ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Marcio Sassine ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Flavio Franco ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Zanini de Zanine ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
MULA PRETA ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Linda Martins ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Mula Preta Design ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Mula Preta Design ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Ricardo Graham Ferreira ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Gustavo Miranda and Silas Stempcoski ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2021 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Stella Nanni ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2021 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Yan Soares ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2015 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Vanessa Martins ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2015 ᱨᱮ ᱵᱨᱟᱡᱤᱞ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
ᱰᱤᱡᱟᱤᱱ, ᱟᱨᱴ, ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱠᱨᱤᱭᱮᱴᱤᱵ, ᱤᱱᱚᱵᱷᱮᱥᱚᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮ ᱢᱚᱱ ᱥᱟᱶᱛᱮ ᱞᱚᱠ ᱞᱟᱹᱜᱤᱫ ᱟᱢᱟᱜ ᱯᱨᱚᱫᱩᱠᱴ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱚ ᱫᱩᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱜ ᱵᱤᱜᱭᱟᱯᱚᱱ ᱟᱨ ᱯᱨᱚᱢᱚᱥᱚᱱ ᱢᱮ᱾
Massive Outreach ᱧᱮᱞ ᱢᱮᱡᱟᱪ ᱟᱠᱟᱱ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱠᱟᱹᱢᱤ ᱞᱮᱠᱟᱛᱮ ᱞᱟᱛᱟᱨ ᱨᱮᱝᱠᱤᱝ ᱨᱮ ᱟᱹᱰᱤ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱤᱱᱟᱨ ᱠᱚ ᱧᱟᱢ ᱢᱮ᱾ ᱰᱤᱡᱟᱤᱱ ᱵᱮᱥ ᱜᱩᱱ ᱨᱮᱭᱟᱜ ᱯᱨᱚᱢᱟᱱ ᱟᱠᱟᱱ ᱛᱟᱨᱤᱠᱷ ᱞᱮᱠᱟᱛᱮ ᱯᱨᱚᱯᱷᱮᱥᱚᱱᱟᱞ ᱠᱚ ᱛᱩᱞᱱᱟ ᱢᱮ᱾
R+ ᱧᱮᱞ ᱢᱮᱟᱢᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ A' Design Awards ᱨᱮ ᱡᱚᱢᱟᱭ ᱢᱮ, Best Design Brazil ᱨᱮ ᱛᱟᱹᱞᱠᱟᱹᱭᱚᱜ ᱢᱮ ᱟᱨ ᱜᱚᱴᱟ ᱡᱮᱜᱮᱛ ᱨᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ.
ᱟᱢᱟᱜ ᱵᱷᱟᱹᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱞᱟᱹᱜᱤᱫ ᱱᱤᱛᱚᱜ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ